El País had an article about three young authors recently. Naturally as with any article about young authours, there is the sense of we are here to over throw the past. They are not interested in Fuentes at all, in part because his 80th birthday with such fanfare. Fuentes is to these writers as Paz was to Bolaño.
Their writing sounds interesting to some degree. It is full of violence and possibly reflects a world that has seemed to get more violent recently. For the Mexican author it makes sense; the others I don’t know.
In the three [novels] in one way or another, you find violent characters. More perhaps in Busqued’s, thanks to the brutal Duarte who is an ex soldier, kidnapper, abuser, and obsessed with hardcore sex; but not less than the others. If no, there is el violent behavior of Isabel, the daughter of the protagonist of Morella’s work, a woman that has no doubts in mistreating and kidnapping her own father. Or Golo, protagonists of Maldonado’s work, the violent one, violent in its details, in its sex, in its relation with the world. Can one write these days without touching on the subject?
En las tres, de una u otra manera, se encuentran personajes violentos. Más quizás en la de Busqued, gracias al personaje brutal de Duarte, ex militar, secuestrador, abusador, obseso del sexo hardcore; pero no menos en las otras. Si no, ahí está el violento comportamiento de Isabel, la hija del protagonista de la obra de Morella, una mujer que no duda en maltratar y secuestrar a su propio padre. O Golo, absoluto protagonista en la de Maldonado, violento ena de Maldonado, violento en los detalles, en el sexo, en su relación con el mundo. ¿Se puede escribir hoy en día sin abordar el tema?