I picked up the summer issue of Tin House because, a. I was at writers conference and I felt bad for the person selling them, b. it had an interview with Etgar Keret, someone whose work I really like, and c. I got two issues for the price of one. The Keret didn’t disappoint, although, is probably not worth the price alone of the Tin House. Also included is an interview with David Shields, but it was quickly uninteresting to me as I find his stance tedious (you can read the article on line here). What was a welcome change was the quality of the fiction. I had never read a issue before and I was unsure about the quality of the work. Over all the whole magazine was quite good. There were several stories worth noting.
Snow White, Red Rose by Lydia Millet was a solid set of twisting revelations from a narrator who befriends two girls. The questions, naturally, is what is going to happen. She holds the suspense well, but as often happens when you are heading into criminality, the ending suffers because the crime is always so mater of fact is undoes all the excitement you had with the suspense.
The White Glove by Steven Millhauser reminded me of some of Cristina Fernandez Cubas short stories. Both deal with events that seem supernatural, or threatening, but are never quiet revealed to be as horrid as you might think. It is as if the author plays with the tension to let you imagination get away with you even as you are reading. A narrator tells of his enchantment with a girl in his class and her family. The family is perfect, yet she wears a mysterious white glove and he is uncertain why she seems so shy about it. Is it abuse? What could be happening?
The Wheelbarow from Sophie McManus’ story of a vet just back from a war zone showed great comfort with slang and in its economy made for a taught story rich with details. It was a good change to have to puzzle out some of the expressions; it invigorates the writing.