My review of the short stories of Mario Benedetti has been published in the latest edition of the Quarterly Conversation, along with many other fine essays. If you are interested in Latin American literature it is worth the effort to check him out.
The Uruguayan writer Mario Benedetti, sadly, was little translated into English during his lifetime, and most of what made it through was poetry. Perhaps this was because his fiction never quite fit the English-world model of a Latin American writer, neither writing the meta investigations of a Borges or Cortazar, nor delving into the magical realism of the Boom. Instead, his short stories were in a more realist vein, interested in urban dwellers; later, as he was marked by the turbulent history of Uruguay and its neighbor, Argentina, he reflected on the plight of the political prisoner and the exile. He was concerned with more than just 20th-century history, though, and he included in his stories moments of the fantastic and a humor that finds the foolishness in the deepest held aspirations of his characters. At his best, he combined these to draw portraits of stagnation, isolation, and the limiting power of dreams that are often funny, sometimes dark, and usually surprising.